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Topic: The Restless Dead - 06.13.12 Post Reply | Post New Topic
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Peter Martin
Byrne Robotics Member


Joined: 17 March 2008
Location: Canada
Posts: 16052
Posted: 13 June 2024 at 12:55pm | IP Logged | 1 post reply

Pretty sure I loved every one of the commissions with gray tones.

So much to enjoy just casting your eye over in this piece. Not least the hat that pops at the top. There's something very satisfying to me about the stark white of the underside of the brim.
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Darren Taylor
Byrne Robotics Member


Joined: 22 April 2004
Location: Scotland
Posts: 6023
Posted: 13 August 2024 at 4:20pm | IP Logged | 2 post reply

'Same' Peter. I'm not sure how I fell upon this today but I love the gray tones. Really 'dings' my bell. (I also love it when John drew skeletons-like in the scene with Superman seeing (I think) Perry, Lois and Jimmy in the lift.) So cool.

I also love that Wolverine is in his jacket here.
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Vinny Valenti
Byrne Robotics Member


Joined: 17 April 2004
Location: United States
Posts: 8199
Posted: 17 January 2025 at 4:16am | IP Logged | 3 post reply

I just like to mention that it was this commission that gave me the missing piece I was stuck on for years before requesting my Death of Guardian reimagining commission.

I knew for years that I wanted the panel right before he exploded - something that only a real fan would understand the significance of what's about to happen. But that published panel itself was not exactly exciting enough to warrant buying a commission over. It needed some sort of "oomph" that just wasn't in the original panel but at the same time doesn't alter the contents, and I just couldn't come up with a solution to that porblem.

So I shelved the idea for years.

Then, this commission popped up, and I had my "Aha!" moment. I honestly don't remember the full thought process of 12(!) years ago, but I have to think that the similar subject matter had me quickly drift to my shelved request and realized that the grey tones was exactly the missing piece needed to make it more tantalizing while still not altering the scene.

Happily, JB really took advantage of the grey tones by going  to town on the rendering of Heather's sweater - gaving it a lifelike texture that would not have been possible in regular ink.
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