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Dave Kopperman
Byrne Robotics Member


Joined: 27 December 2004
Location: United States
Posts: 3557
Posted: 27 January 2025 at 5:27pm | IP Logged | 1 post reply

I'm certain that a full digital workflow has its benefits, but there's a couple of downsides I've noticed.  

First is an obvious one, for the artist - they no longer have a physical page they can sell for additional income. Which seems silly but at this point I bet Terry Austin could buy a medium-sized yacht if he cashed in all the X-Men pages he's got stashed away.  So not silly at all.

Second one is as a reader, I find that artists who do start-to-finish work, including color, the final printed result is frequently kind of off in any number of ways. Either it feels like a colorforms set, or they design for screen rather than for print, or etc.  I'm certain there are many for whom the comics are digitally purchased as well. But I think designing for print first and then screen second should be the way to go.  If it looks good in print, it's a way better chance it'll adapt to screen than the other way around.


Edited by Dave Kopperman on 27 January 2025 at 5:39pm
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John Wickett
Byrne Robotics Member


Joined: 12 July 2016
Location: United States
Posts: 902
Posted: 28 January 2025 at 7:11am | IP Logged | 2 post reply

As a whole, I think comic art is better now than it ever has been.  The guys who were my favorite artists in the 70s, 80s and 90s (Byrne, Perez, Ordway, Jurgens, Alan Davis, Garcia Lopez, Buscema, etc) would still be among the best of the best who are working today, but IMO once you get past the top tier talent, the "average" artist (for lack of a better word) now is better than they were in the past.  

As far as "old fashioned" is concerned, I think the Big 2 have moved away from having a house style, so there is a greater variety of styles out there.  My tastes tend to veer towards the classic, so my current faves are guys like Gary Frank, Jimmy Cheung, Ivan Reis, Dan Mora, Nicola Scott, Bryan Hitch, Frank Cho, Steve Epting, Daniel Sampere, and (the under-rated) Fernando Pasarin.

But there are some guys (and ladies) out there who are quite different and very good.  Here are a few:

Ed Mcguiness- figures are exaggerated, but does the animated style very well, and his art is always fun to look at.

Amanda Conner- another master of the animated style

Stjepan Sejic- digital artist extraordinaire

Lee Weeks- very modern but with a touch of Alex Toth

Chris Samnee- retro

Mikel Janin- crushing it on Detective- love his Batman.  

Bruno Redondo- his art has a very cinematic quality.  Check out his run with Tom Taylor on Nightwing.

Daniel Acuna- very different, painted look.

Stuart Imonen- his art has evolved a lot over the course of his career.  Right now I don't think there is anyone short of Kevin Maguire who captures facial expressions better than Imonen.

I never cared much for the Image guys except Jim Lee, but Tony Daniel, who is obviously Lee-influenced puts out some excellent work.




Edited by John Wickett on 28 January 2025 at 7:15am
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