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Brian Price
Byrne Robotics Member
Joined: 26 June 2012
Posts: 10
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| Posted: 24 May 2023 at 3:56am | IP Logged | 1
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I've always thought Cerebus 20 was really cool, with all the pages of the comic assembled together form a giant Cerebus montage.
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005
Posts: 130328
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| Posted: 24 May 2023 at 2:13pm | IP Logged | 2
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When I did GENERATIONS 3* I designed the covers to form a large face of Darkseid. I’m the first to admit the finished product was not entirely successful, but some fans were complaining they could not see the face after acquiring only the first issue!!————- * Which came close to being GENE RAT IONS courtesy of a particularly clumsy logo design that had the 3 pushing up from below.
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Rodrigo castellanos
Byrne Robotics Member
Joined: 03 July 2012
Location: Uruguay
Posts: 1303
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| Posted: 24 May 2023 at 5:22pm | IP Logged | 3
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I've always thought Cerebus 20 was really cool, with all the pages of the comic assembled together form a giant Cerebus montage.
That's pretty cool!
Anyway, David Aja's Pizza Dog Issue on HAWKEYE is always worth mentioning.
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Mark Haslett
Byrne Robotics Member
Joined: 19 April 2004
Location: United States
Posts: 5768
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| Posted: 24 May 2023 at 7:01pm | IP Logged | 4
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I wish there was a way to quantify and celebrate the kind of "invisible" creativity that sets apart those who can effectively get across in a single, well-chosen panel what others might do in 5 pages.
As this thread extends, I see the balance tipping toward more achievement in eye-candy over storytelling.
Looking at comics today, I rarely see work that convinces me it is drawn in the "right" number of pages to tell the story it's telling. I realize that's a subjective problem with ME, but it's vexing all the same.
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ron bailey
Byrne Robotics Member
Joined: 16 October 2016
Location: United States
Posts: 769
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| Posted: 24 May 2023 at 7:31pm | IP Logged | 5
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We shouldn't go to much further then without acknowledging Eisner's innovative layout in the service of engaging storytelling.
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John Wickett
Byrne Robotics Member
Joined: 12 July 2016
Location: United States
Posts: 666
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| Posted: 24 May 2023 at 11:01pm | IP Logged | 6
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"Anyway, David Aja's Pizza Dog Issue on HAWKEYE is always worth mentioning."
That particular panel doesn't really do anything for me, but Aja is a brilliant storyteller.
Sometime in the past, someone posted this YouTube video of a French artist analyzing one of his panels, and it demonstrates there is a lot more thought and technique that goes into designing a page than I would ever have recognized as a non-artist.
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Jose Zulueta
Byrne Robotics Member
Joined: 20 March 2022
Location: United States
Posts: 79
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| Posted: 26 May 2023 at 12:27pm | IP Logged | 7
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Always loved this page from Strange Tales *168 (The Day the Earth Died). Shots of Dum Dum from three different angles, all while keeping a full-figure shot of Val from the back, stationary. Really clever. Pretty sure Steranko had to bend the rules of perspective here a bit, and yet my mind is telling me that this works!
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Daniel Gillotte
Byrne Robotics Member
Joined: 11 October 2005
Location: United States
Posts: 2406
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| Posted: 26 May 2023 at 2:54pm | IP Logged | 8
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David Aja came to mind right away- creative and beautiful, wicked stylish to boot.On the indie side, Chris Ware and Dan Clowes have a way with a panel or a page.
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Mark Haslett
Byrne Robotics Member
Joined: 19 April 2004
Location: United States
Posts: 5768
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| Posted: 26 May 2023 at 3:40pm | IP Logged | 9
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I think that Steranko page is a success -- taking what could be a dull page of exposition that sent him to consult Wood's "22 Panels that Always Work" sheet. Innovative design makes this one exciting and unforgettable.
I suspect, however, the story would have worked fine with this page condensed to a single panel on a page of 6. Steranko sometimes played dangerously close to the boundary where style outweighs substance.
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Rebecca Jansen
Byrne Robotics Member
Joined: 12 February 2018
Location: Canada
Posts: 3976
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| Posted: 26 May 2023 at 3:54pm | IP Logged | 10
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All I'm seeing off the top of my head is a Paul Smith panel from X-Men #168 with Kitty dancing at dance class. Something an animator would think of? I'm sure it was done before, like maybe by Bernie Kriegstien in an EC or something, and definitely done memorably after... but that one low key sequence in a single panel made an impression on me.
No specific single panel, but there were scenes of characters freezing in snowstorms by JB that gave me shivers big time. Maybe the splash from X-Men #114 with beast and Phoenix? Brrr.
Edited by Rebecca Jansen on 26 May 2023 at 3:55pm
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Peter Martin
Byrne Robotics Member
Joined: 17 March 2008
Location: Canada
Posts: 15277
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| Posted: 26 May 2023 at 5:24pm | IP Logged | 11
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Mark Haslett wrote:
| Steranko sometimes played dangerously close to the boundary where style outweighs substance. |
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Agreed. Steranko came up with many pages that looked amazing and arresting and original, but they weren't necessarily great in terms of storytelling.
I actually rate Frank Miller extremely highly in terms of coming up with bold page and panel designs that were always ultimately in service of the sequential storytelling.
Edited by Peter Martin on 26 May 2023 at 5:25pm
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ron bailey
Byrne Robotics Member
Joined: 16 October 2016
Location: United States
Posts: 769
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| Posted: 01 June 2023 at 2:41pm | IP Logged | 12
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... fond memories of the Negative Zone landscape layout issue!
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